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Ballet Luminary Matthew Ball on Grueling Roles and Social Media Attention: 'I'm Not Protective About My Body'

Within the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. The dancer's carriage is naturally straight-backed, his limbs defined beneath a simple white T-shirt. During performances, ballet dancers can appear like powerful deities, yet frequently in person they are petite. Not so Ball, whose tall stature is part of his popularity for princely roles and partnering. With fine traits and intense eyes, there's a touch of Robert Pattinson about him.

A Seamless Rise to the Pinnacle

At 31, Ball is experiencing the peak of a career that has progressed seamlessly. Growing up in Liverpool, he encountered minimal teasing for his early passion in ballet. Entering the esteemed training institution at 11, he moved straight into the company and was promoted annually, reaching the top rank of principal in 2018. He has loved tackling meaty characters, especially the psychological angst found in Kenneth MacMillan's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His upcoming starring role is as himself, in an "In Conversation" series aiming to offer behind-the-scenes insights into a performer's art. He will walk the crowd through a role, showing his mental workflow while execution. Yet in more comedic ballets, the challenge is profound. "Don Quixote is one of the most demanding from a skill perspective," he notes.

The Mental Struggle and After the Show Emotions

How does he feel after a performance, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get lost in the role, frequently I do feel self-conscious later. After an intense role I'm always like: God, what must people think?"

Offstage, Ball is reflective, polite, and quick to laugh at himself. Yet a choreographer previously observed on a "sense of suffering in him." Is there? "I am very energetic in general, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Formative Drivers and Creative Inspirations

Ball's determination originated in early experiences. Not doing well in contests at school made him "vengeful!" This became fuel to prove he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

An upcoming challenge is making his own dance works. In his view, "organic movement has value." "Challenging the rules is compelling, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from literature, compositions, and art.

Intimate Dance and Private Partnership

He additionally favors staging dance in smaller spaces. "It was just really thrilling," he says of a past show. "You’re so close to the audience. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has made pieces with his girlfriend, fellow principal Mayara Magri. The degree of faith between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Bodily Image

On Instagram, fans can see clips from his dance films and images that showcase a sculpted physique. Does he mind that the response can be a bit focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—an object that can be seen on various levels.

Ball describes his early self as "desperate for success." Did it met his hopes? "I am conscious of how reality is a different reality to the aspirations you had as a young person," he reflects. He likely has about ten years of dancing left. "I suppose in the future, I want to be a bit more kind with myself."

DB
Written by

David Burnett

AI researcher and tech writer focusing on machine learning applications and digital transformation strategies.

Vertex Signal

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